Friday, February 5, 2016

Rizal on Reform and Revolution (part 2)

Rizal on Reform and Revolution (part 2)

by Levy Abad
The fresh ideas from abroad during the time of Jose Rizal cannot be anything but the ideas coming from the revolution in France and the American Revolution, which was also inspired by the former. According to the essay of Elmer Ordonez, Rizal’s readings, as well as those of the ilustrados at the time, included Zola’s Germinal and other Anarchist texts. He furthered that Rizal read a lot of French Literature and particularly liked Alexandre Dumas’ Three Musketeers and Count of Monte Cristo. Rizal also read Moliere, Voltaire, Montesquieu, and Napoleon’s memoirs, in addition to his readings of the lives of the Presidents of the United States, Morga’s Sucessos de las Islas Filipinas, Les Miserables by Victor Hugo, Wandering Jew by Eugene Sue, Beaumarchais’ Barber of Seville, and Marriage of Figaro, which were considered dangerous works and subversive in nature during Rizal’s time. (Reference: The Books that Jose Rizal Read and How It Shaped His Life–Totoy Batotoy)
In Rizal’s second novel, El Filibusterismo, the frustrated reformist Ibarra returns in the guise of Simoun, the Jeweller–what Simon calls the “liberal reformer who became an ‘anarchist’ or “Putschist.” The concept of a Marxist Leninist revolutionary was not developed yet. (“Rizal and the Literature of the Left” by Elmer Ordonez, Manila Times, Dec. 29, 2007)
Rizal was born on June 19, 1861, in a country ruled by Spain. The economy during this time was characterized by feudalism, vast tracks of land solely under the control of a handful of feudal lords. Concepts like suffrage (elections), separation of power, separation of church and state were non-existent. We have to take note that prior to the Revolution of 1896, two hundred revolts occurred with the intention of breaking the feudal chains. All these concepts came into fruition after the Revolution of 1896 when U.S. colonial rule took over and introduced a distorted version of the ideas of enlightenment to consolidate their colonial rule by using concepts of democracy, republicanism as a facade and reactionary violence to crush the continuing resistance of the Filipino people.
What was the role and significance of the Revolution of 1896? After 365 years of Spanish colonialism and successive revolts, Filipinos finally decided to organize the Katipunan as a result of the martyrdom of Rizal on December 30, 1896. Rizal was accused of being the founder of the Katipunan, or Brotherhood of Revolutionaries. In the column of Ambeth Ocampo, “Reform and Revolution,” he explained that “the December 15, 1896 Manifesto was used against Rizal both by the Spaniards who condemned him to death for inspiring the revolution, and the pro-Bonifacio groups in our day, is not read in full. Rizal was not against the revolution but felt, rightly so, that it was premature.”
He continued that “Rizal is branded a mere ‘reformist’ because they have not read his letter to Ferdinand Blumentritt from Geneva on June 19,1887, his 26th birthday, that read in part: ‘I assure you that I have no desire to take part in conspiracies which seem to me very premature and risky. But if the government drives us to the brink, that is to say, when no other hope remains but seek our destruction in war, when the Filipinos would prefer to die rather than endure their misery any longer, then I will also become a partisan of violent means. The choice of peace or destruction is in the hands of Spain, because it is a clear fact, known to all that we are patient, excessively patient and peaceful, mild, unfeeling, etc. But everything ends in this life, there is nothing eternal in the world and that refers also to our patience.’”
Prior to this, Rizal was active in the reform movement abroad. He was a member of La Solidaridad, an organization founded in Spain on December 13, 1888, composed of Filipino liberals and students, aimed to increase Spanish awareness of the needs of its colony, the Philippines. Rizal was also a founder of La Liga Filipina (1892), a progressive organization in the homefront with the purpose of involving the people directly in the reform movement. Both initiatives were designed to be a machinery of the reform movement. The Spanish authorities, threatened by these initiatives, seized on Jose Rizal to punish him for his ideas. We know what happened next, Rizal was martyred and the armed revolt known as the Cry of Balintawak in August 1896 ensued under the leadership of Andres Bonifacio.
[to be continued in the next issue…]

Joe Cocker: 'You Are So Beautiful'

Joe Cocker: ‘You Are So Beautiful’

Joe Cocker: ‘You Are So Beautiful’
I was sending some messages to friends one afternoon when I saw the Facebook posting of Eric Clapton that said Joe Cocker passed away at 70. Right away, I found myself humming “You Are So Beautiful,” followed by “With a Little Help from My Friends” and “Up where We Belong.” Clapton and Cocker are two of my favourite artists.
I remember the first time I sang at one of the folk bars near Welcome Rotunda, in Manila, Philippines, called Chick Fil-A. A friend of mine asked me to go with him and jam during his set. I was kind of shy then, and the first thing that came to my mind was a song of Ol’ Joe Cocker, “You Are So Beautiful.” When I started singing, the folks begin to sing along with me, with gusto. Joe Cocker was famous in the Philippines; he still is, especially to people who love folk rock music.
The applause of the people did something to the mind of a beginner. It inspired new artists like me to join the ranks of veteran folk singers. The place reminded me also of the time when there were big rallies against the abusive regimes that plagued the Philippines in the ’80s to late ’90s. After those rallies, comrades and friends usually hung out at bars to unwind and do a little assessment of what went on.
Another place that I had a chance to play at was Mayric’s Bar, on España Avenue, in front of UST, in Manila. The first time I went to this bar, in the ’80s, some folk singers dished out Joe Cocker’s songs. Mayric’s was also a hangout of many activists in the ’80s and the ’90s. I hear Bob Dylan’s “Masters of War”; Jackson Brown’s “Lives in the Balance,” “Rebel Jesus,” and “Personal Revenge”; Peter Paul and Mary’s version of “Blowin’ in the Wind”; and Christy Moore’s “Viva la Quince Brigada,” being sung by the Filipino folk singer Noel Cabangon. Paul Simon’s songs were also played there, such as “Still Crazy after All These Years.” I like also the songs of Joan Baez. Chikoy Pura with his band The Jerks performed his song “Reklamo” and covers of The Doors. Burt Chaves rendered Cat Stevens’ songs and Gordon Lightfoot’s “If You Could Read My Mind.” My friend Empiel Palma would belt out “You Are So Beautiful,” while another friend, Danny Fabella, would sing his song “Rosas ng Digma.” The three of us would eventually become a trio named Musikang Bayan. We would go to different island gigs all over the country like Cebu, Davao, and the northern part of the Philippines. I really enjoyed those days. While we were on board the ship, people would usually request “You Are So Beautiful.”
My gig at Mayric’s started in the early ’90s. Folks would request me to sing Ol’ Joe’s “You Are So Beautiful,” which inspired me more whenever there were pretty girls in the audience. There I met Noel Cabangon, who was a buddy of Rom Dongeto, who wrote “Kanlungan.” Noel and Rom eventually formed Buklod. I am proud to say that Rom was one of my songwriting teachers when I attended a workshop in Los Banos, Laguna. In that workshop also was Kiko of Grupong Binhi from Bagiuo who remains active to this day, writing protest music.
Another bar that became famous in the ’90s was ’70s Bistro. It also became a hangout of activists. Artists who regularly performed there included Joey Ayala, Bayang Barrios, Gary Granada, Ang Grupong Pendong, Asin, Lolita Carbon, Grace Nono, Banyuhay, and Jess Bartolome. I remember the note posted at the door of the bar: “When you enter, you have to leave your ideology outside and just unwind.” This was a time when there was a great debate going on within the social movement on strategy and tactics. In that bar, you could talk about revolution while somebody wass singing Joe Cocker songs.
In the late ’90s up to the early part of 2000, I played gigs at My Brother’s Mustache Folk Bar, which had branches on Timog Ave. (Quezon City), Jupiter St. (Makati), and Nakpil St. (Manila). I used to play there with Leonard de Leos, another folk-singer friend of mine. I vividly recall one gig when Robin Padilla with Princess Punzalan was in the crowd, requesting me to play a song that he could sing. Even there, Cocker’s “You Are So Beautiful” was a hit.
Now that I am here in Winnipeg and learning about the passing of Joe Cocker, I couldn’t help but remember those dandy days when, instead of being focused studying law, I was more into reading Marx and those who debated with his ghost and memorizing songs for my thrice-a-week gigs. Political Science, Social Theory, and protest music indeed went hand in hand and made my younger life exciting.
In the midst of the great marches for change, one could hear Ol’ Joe Cocker’s belting out “With a Little Help from My Friends“ and “You Are So Beautiful.” Well Ol’ Joe, keep on rockin’ in heaven with your heavenly renditions. Thanks a lot for the music.

Grateful to the Breakfast Club (part 2)

Grateful to the Breakfast Club (part 2 of 2)

by Levy Abad
The warm welcome of the friends and acquaintances I have made in the Filipino community helped me forget the dreadful cold of winter…
I cherish my conversations with Kaka Rey Pacheco about Philippine history, most particularly the Marcos era, because he personally knew a lot about a number of leading personalities during that time. I love reading Kaka Rey’s biting articles and insightful poems because of his lyrical style of writing. He also shared to me that the first Chair of the Breakfast Council (est. 1997–2000) was Ric Dela Cruz, followed by Bob Gabuna (2001–2002), Kuya Ted Marcelino (2003–2005), and Kuya Fred De Villa (2006–present). On the subjects of Theology of Liberation and Church History, Fr. Greg Sevillo is the person to have good discussions with; on Filipino Social Democracy, Kuya Vic Pao and Mar Cadiz; on Philosophy and Conservative Ideology, Kuya Mar Javier. Kuya Fred was the one who shared to me the history of PAM (Philippine Association of Manitoba) and the beginning of PCCM (Philippine Canadian Centre of Manitoba).
Another person whom I could not forget to mention is Tatay Joe “Doc” Inot, who is also a musician and a great drummer. He used to play with Tito Ted Ombrog at community parties. I had the chance to watch them perform, and I found them amazing. Kuya Bert Nagutom is another, who told me that he used to be a SIKARAN/Arnis instructor and that he used to play as an extra in Philippine movies. But the most important experience I guess that he shared was his Trade Union experience in the Philippines. I listened attentively when he shared his NAFLU (National Federation of Labour Unions) days of standing up for the rights of Filipino workers. I also want to add to the list Kuya Tem Chavez, who is a close friend of Manong Popoy Gomez. Kuya Tem is fond of sharing not only jokes and funny stories but also practical insights on how to survive here in Winnipeg.
Aside from the political and social discussions I had with members of the Breakfast Club, the Scripture was also a controversial topic. Theological orientations were expressed at times. I remember exchanges with Kuya Manuel “Boy” Negado, Bro. Bert, Kuya Nilo Almodal, and Jared Moran, an El Salvadorian who also wanted to share his perspective. There were convergences and contradictions but, in the final analysis, everybody goes home learning and unlearning something.
At the Breakfast Club, we used to have discussions about the old country and what should be done to make it progressive. We discussed the massive corruption and how to end it. We made comparative analysis between life in Canada and in the Philippines. Discussions ranging from left-wing politics to the right of the political spectrum elicited provocative ideas and opinions. The Breakfast Club also became a forum for coming up with ideas on how to fundraise for the victims of the different natural calamities that hit the Philippines. Forums were organized on immigration issues and have successfully lobbied for the reduction of the landing fee, otherwise known as head tax. Kuya Fred De Villa also told me that they used to invite experts to discuss particular issues.
Another major achievement of the Breakfast Club, according to Kuya Fred, is the story of nurses hired from the Philippines. Back then, a group would go to the Philippines to give test to nurse; those who passed were hired right away. The Breakfast Club protested this initiative, citing the fact that there were about forty-five licensed nurses originating from the Philippines who were already working in garment factories in Manitoba. They pushed for the prioritization and consideration of these professionals. This initiative became successful.
There was indeed a mix of clashing perspectives, jokes, laughter, fun, and grief. I heeded the advice given to me. I listened and learned until such time that they asked me to share my thoughts. Well friends, one day all of us will become seniors and we will take their place. I will remember all of them, especially those who passed away, and I will sing The Beatles’ song “In My Life.”
There are places I remember
All my life, though some have changed
Some forever not for better
Some have gone and some remain
All these places had their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life, I’ve loved them all

Grateful to the Breakfast Club (part 1)

Grateful to the Breakfast Club (part 1)

Do you want to understand a part of the Filipino community in Winnipeg? A good place to start will be 99 Isabel Street where you will find La Merage Restaurant.
La Merage Restaurant hosts the Breakfast Club (Winnipeg Filipino Breakfast Council) where interesting discussions between representatives of different political tendencies in the Filipino community take place. This is not surprising because the seniors are the natural repository of what went on in the past. They were the ones who have gone through and survived the challenges and who are able to share their perspective of the Winnipeg narrative.
When I first arrived in Winnipeg in 2010, I made it a point to immerse myself in the seniors community. The seniors hold the key to the history of the community. If you know the history, you will have an idea of the psychological terrain of where you’re at. Members of the Breakfast Club headed by Kuya Fred De Villa meet at La Merage every Wednesday and Friday. In these coffee sessions, you will know who’s who in the community. You will discover the different ideologies that influence the thinking of the community. There are people who adhere to New Democratic Party, the Conservatives, and the Liberals. You will also learn about the secrets of the community.
I first met Kuya Romy Tabanera at the Breakfast Club. He used to drive me around; he was the one who introduced me to GACIBO (Garden City Boys). Through him, I also met Neri Dimacali, one of the members of KAMPI (Kilusang ng Mangagawang Pilipino) – a community activist organization founded in 1996. I learned from them about the community mobilization that barricaded one of the big grocery stores (summer of 1991) on McPhillips for discriminating against one of the members of the community. Dimacali and De Villa shared a lot of information regarding this event. This story was my inspiration for my song “Dito sa Winnipeg,” which became an easy favourite since it tells about the different places in the city and some of the solidarity stories in the community. It has been played on the local AM radio station GMP-CKJS (Good Morning Philippines) several times since 2012, so many people are already familiar with it.
One advice that the seniors usually gave me was to observe and just listen to folks. They used to tell me that the city’s being so small should make me careful in my actions because gossips flew around so fast. Seniors cautioned me about dealing with some people whom they consider shady characters or opportunists. When Min. Flor Marcelino, MLA for Logan and Minister of Culture Heritage and Tourism, asked me in December 2011 to start exploratory talks with different community leaders about the possibility of organizing a Filipino street festival, seniors in La Merage and Garden City told me to look for the late Manong Conrado “Popoy” Gomez, who was then the head of BIBAK (Benguet, Ifugao, Bontok, Apayao, Kalinga). I remember Manong Popoy was so happy when he learned that I was an activist like him and a newly arrived immigrant at that time. The folks also suggested that I speak with Manoy Amado Mendoza of Bicol Association of Manitoba and Aklan Association of Manitoba. These conversations happened prior to the discussion with the initial leadership of the present Manitoba Filipino Street Festival. In the first dinner and dance fundraiser of the street festival, in July 7, 2012, I remember vividly that the seniors were the first ones I sold tickets to. I was so thankful for their help and advice during my early years in the city. Their warm welcome made me forget the dreadful cold of winter…
(to be continued in the next issue)
(This column is reserved for the readers of Filipino Journal who have something to say about particular issues concerning, but not limited to, the Filipino culture especially politics and current events. So, if you have something to say, write it down and then submit it to elfideas102@yahoo.com. If we find your article befitting our standards, we will publish it here.—Ed.)

Why Did You Abandon Me? (Poem)

Why Did You Abandon Me?
Levy Abad

By Levy Abad Winnipeg, Manitoba

Why did you abandon me?
I wrote songs for you
Lines that tell your story
Verses that share your dreams
Images that depict your pain
In my chorus, I called for a movement
I called for freedom
To break your chains

Why did you abandon me?
When like you, I am oppressed
Do you want me to beg
The way your masters humiliated you?
Do you want me to sing your dirges
And wail full of sorrow and pain?

Why did you abandon me?
I used metaphors and similes as my bullets
To defend you
And my guitar is my gun to shoot
The spirits that haunted and possessed you
I sung your songs in the midst of your enemies
Why did you abandon me?
When I fought for you

Why did you abandon me?
When I wrote songs for you to be free
Can't you hear that your blues are my blues
Your struggle, my struggle
Your freedom is my freedom 
Why did you abandon me
When I cared to sing my heart and soul for you?


Multiculturalism

PUBLISHED ON 

Reflection on the Second Multicultural Food Fest

by Levy Abad
On December 4, 2015 we had the Second Multicultural Food Fest held at 1100 Fife Street at the Caribbean Community Cultural Centre. It was a great success with more or less forty-six communities in attendance and almost sixty trays of food brought in by the different communities for everyone to savour. I remember the first one held at the same place in October 2014, which was attended by forty communities, was successful too. I never thought that it would be surpassed by this year’s event. This is a clear manifestation that people in the community really love to attend events that promote multiculturalism. People appreciated the food prepared by the participating communities as well as the cultural performances.
I would like to name the following communities that took time to prepare for their cultural presentations. The Chinese community had several groups: The Yellow River Chinese Association, Beautiful Sunset Dancing and Fitness Group, Sunny Fitness Dancing Group, Mid-Night Band (sang three songs), Friendly Chinese Dance Association of Winnipeg, the Manitoba Chinese Women Association and Terry Wu of MACS (Manitoba Association Of Chinese Studies); Noureen Ali of the Canada Bangladesh Association of Manitoba Inc.; St. Edwards Friday Night Exercise Group; The Nepali Cultural Society of Manitoba had their representatives: Anisha Subedi, Sunila Sherpa and Ucha Subedi; from the Filipino Community: The West End Seniors Dance Group, Levy Abad, Bobie Nepomuceno and Jimmy Tan (performing Leon Russell’s ‘A Song for You’), The Manitoba Rondalla Group, Cabuyao Association’s Vina Dimayuga and Babel Bequial; The Canadian Palestinian Association of Manitoba sung their anthem; The Romanian Association of Manitoba came with their dance group ‘Balada;’ The Iranian Association of Manitoba did a presentation with Forouzandeh Shemirani; and last but not the least, the Bosnia Herzegovina community’s cultural troupe. Indeed, it was a night of grass root multiculturalism.
Aside from the communities that performed, there were personalities and associations that attended and brought their national dish like the Asian Women of Winnipeg chaired by Ms. Sharan Tapia, Gabon, GUSI, Mohamed Alli, Secretary and Bebi Khadija James, Treasurer of the Guyanese Association, Siene Chanthaseng and Ravi George and friends of Lao Association of Manitoba, Johanna Quintana of the Manitoba Chilean Association, Visaka Jackson of the Sri Lankan Association of Manitoba, Won Jai Song and Eun Kyeong (Olivia) Do of the (Korea Times) Korean Community, Patsy Grant of Trinidad and Tobago Society of Winnipeg, Malayali Association, Ms. Grace Galizowski of the Canadian Polish Congress, Sierra Leone, Ms. Mavis McLaren of Jamaica Association of Manitoba Inc., Sis. Maggie Yeboah of Ghanian Union, Nigerian Yoruba Association. Bro. Justin Ondo from Gabon, Simon Baer from Switzerland, Mario Fuentes from El Salvador, Elena Napoles from the Cuban community. The MLA for Burrows, Melanie Wight, also graced the event. Lastly, thanks to Marilyn Camaclang of the Anabu Association and Bro. Helal Mohiuddin of the Bangladesh community for being wonderful emcees.
As a cultural activist myself, I know how much time and effort was put into each performance and it came as no surprise that each of the cultural numbers presented was well received. Cultural presentations seem like entertainment to some, but on deeper thought, they are profound. They involve the history, ideology and levels of development reached by each country. Cultural performances reflect the soul of the people; it is sacred. This is what keeps a community alive. Therefore, to treat it as mere entertainment is a debasement of the human spirit and can lead to cultural genocide.
Moreover, the role that food plays in culture cannot be downplayed. It forms the very heart of culture. Unfortunately, most of the time, its importance is taken for granted. A quote from Wikipedia further explains this, “Food history is an interdisciplinary field that examines the history of food, and the cultural, economic, environmental and sociological impacts of food. Food history is considered distinct from the more traditional field of culinary history, which focuses on the origin, and recreation of specific recipes. Food historians look at food as the most important elements of cultures, reflecting the social and economic structure of society.” Hence, let us all be mindful of the role of cultural performances and food in the economy of multiculturalism. Artist and chefs are the cadres and field commanders of culture. There are times when good cultural piece is more powerful than a thousand speeches in building unity.
Lest I forget to mention, a friend also helped me organize the event through his technical expertise. Bobie Nepomuceno, an able sound engineer, made sure that with limited means, we would have great sounds and lights. Brother Rupert Forde, the Vice-President and other officers of the Council of Caribbean Organizations of Manitoba Inc. (CCOM), also helped in the set-up and clean-up of the venue. Without their help, I would have gone home the following morning. Yet, it is nice to be reminded that any multicultural solidarity shown is the end result of programs consciously thought out and implemented by the government, a thing that is sometimes overlooked. To be a multicultural worker at ground level, laying down the seemingly simple events, is an art in itself. If there is no colour, emotion or groove, history and philosophy, the people will never embrace it.
Most of the communities that attended the event were so delighted that Minister Flor Marcelino was there to grace the occasion. As the province’s Minister of Multiculturalism and Literacy, Flor Marcelino is known for her initiative in genuinely engaging the different communities in dialogue. She firmly believes in the grassroots approach in building relationships. As the Multicultural Outreach Officer, I have seen her in action. She tirelessly devotes her life in delivering services to the community. She always reminds her staff that there should be no time wasted in serving the community. Serving the community is a privilege not everyone has the chance to do. Life, according to her, is so fragile like a glass and you do not know when it will break. I am proud to serve as her Multicultural Staff, implementing programs that bring different ethnic groups together, promoting unity in diversity, thus reinforcing the goal of her office, leading to the greater task of consolidating the real life theme of our province, which is Friendly Manitoba.
To all the officers and members of the community associations and friends who I corresponded with in organizing the event, thank you so much for participating in the 2nd Multicultural Food Fest. Our coming together is the greatest act of paying forward to Winnipeg, the bigger community that welcomed us.

Rizal on Reform and Revolution Part 1

Rizal on Reform and Revolution (part 1 of 4)

by Levy Abad


Courtesy of Jose Rizal After Image Designs App

Almost a third of the seventeenth century, prior to the birth of Jose Rizal, constituted the history of the French Revolution. The great ideas of the French Revolution like equality, liberty, and fraternity were concepts that were antithetical to the worldview engendered by the feudal order predominant during the Spanish rule. Under this rule, there were two major contending classes that shaped society: few feudal lords that controlled the land and the vast numbers of serfs or peasants that tilled the land for a pittance. The conflict between these two classes gave birth to the ideas of the French Revolution; and thereafter, influenced the history and worldview during the time of Rizal. Even Andres Bonifacio himself read and studied the French Revolution from which he got the clandestine conduct of the Katipunan. Bonifacio was a follower of Rizal.
Courtesy of PositivelyFilipino.com
Who was Jose Rizal? Dr. Jose Rizal is the National Hero of the Philippines. Rizal wrote the two famous novels titled Noli Me Tangere (‘Touch Me Not’) and El Filibusterismo (‘The Filibuster,’ or ‘the Subversive’). If Rizal wrote a novel titled “Or Else” between his two novels, then I think the confusion regarding his stance on the revolution would be clarified. Renato Constantino, in his 1968 essay “Veneration Without Understanding,” pointed out that Rizal was just propped up by the U.S. colonial government as a tool to pacify the revolutionary aspiration of the Filipino people by playing up his reformist calls. Ambeth Ocampo wrote in his newspaper column “Reform and Revolution” (Philippine Daily Inquirer, January 19, 2012) that, “Constantino argued that Rizal was an American sponsored hero, citing without any documentary proof an alleged Philippine Commission meeting where the American colonial government chose Rizal as the foremost national hero because he was nonviolent and reformist, unlike Bonifacio or [Emilio] Aguinaldo.” Granting that there was no documentary proof, any colonial power would have not fostered a known revolutionary like Bonifacio, but would have instead chosen a milder one who would serve the colonial design. A colonial power could also foster a leader with conflicting attitude regarding the issue as this would be a good tool for sowing confusion. My personal take on this is, given the conflicting ideas about Rizal, what was decisive and more important was his practice. If his intention was to depart for Cuba to serve Spanish colonial interest, this was proof enough of where he stood on the matter.
In the same column, Ambeth Ocampo argued that “what Constantino conveniently left out are that Rizal was considered a hero in his lifetime; that he was an honorary president of the Katipunan; that his picture was displayed during Katipunan meetings; and that his name was one of the passwords of the Katipunan. Then of course, the annual commemoration of Rizal’s death each year in December 30 was started by Aguinaldo’s shortlived First Philippine Republic in 1898 (before the American colonial period and continues to our day).”
Jose Maria Sison, a known leader of the revolutionary movement in the Philippines from 1968 up to the present, also expressed some crucial points regarding the matter. If I am not mistaken in my grasp of it, we cannot judge the ideas of Jose Rizal out of the context since doing this will be unfair. The ideas of Rizal exposed the ills of Spanish colonial rule. Rizal’s reformism prepared the condition and set the stage for the revolution to grow.
Courtesy of IslandSentinel.com
In his book Struggle for National Democracy (1967), Sison wrote a piece titled “Rizal, The Subversive,” in which he saw Rizal as a leading representative of the “left wing” of the middle class, developing his own “nationalist sentiment and consciousness.” Elmer A. Ordonez, in “Rizal and the Literature of the Left,” quoted Sison: “What made Rizal a progressive and a radical of his own time was his ultimate recognition that the liberties of the individual could be realized only if the nation as a whole, particularly the masses, would be uplifted and enjoy more freedom from an overwhelming system of clerical authoritarians and anti-liberals who represented what was long considered backward in the northern parts of Europe.” Ordonez added that Sison emphasized that Rizal’s novels demonstrated that revolution was an offshoot of reform. The character of Ibarra showed his frustration in reformist efforts, but the other forces represented by Elias, struggled to fight the oppressors. In Noli Me Tangere, Pilosopo Tasyo told Ibarra: “Change will ultimately come with the coming of fresh ideas from abroad.”

Rizal on Reform and Revolution (part 2)


by Levy Abad
The fresh ideas from abroad during the time of Jose Rizal cannot be anything but the ideas coming from the revolution in France and the American Revolution, which was also inspired by the former. According to the essay of Elmer Ordonez, Rizal’s readings, as well as those of the ilustrados at the time, included Zola’s Germinal and other Anarchist texts. He furthered that Rizal read a lot of French Literature and particularly liked Alexandre Dumas’ Three Musketeers and Count of Monte Cristo. Rizal also read Moliere, Voltaire, Montesquieu, and Napoleon’s memoirs, in addition to his readings of the lives of the Presidents of the United States, Morga’s Sucessos de las Islas Filipinas, Les Miserables by Victor Hugo, Wandering Jew by Eugene Sue, Beaumarchais’ Barber of Seville, and Marriage of Figaro, which were considered dangerous works and subversive in nature during Rizal’s time. (Reference: The Books that Jose Rizal Read and How It Shaped His Life–Totoy Batotoy)
In Rizal’s second novel, El Filibusterismo, the frustrated reformist Ibarra returns in the guise of Simoun, the Jeweller–what Simon calls the “liberal reformer who became an ‘anarchist’ or “Putschist.” The concept of a Marxist Leninist revolutionary was not developed yet. (“Rizal and the Literature of the Left” by Elmer Ordonez, Manila Times, Dec. 29, 2007)
Rizal was born on June 19, 1861, in a country ruled by Spain. The economy during this time was characterized by feudalism, vast tracks of land solely under the control of a handful of feudal lords. Concepts like suffrage (elections), separation of power, separation of church and state were non-existent. We have to take note that prior to the Revolution of 1896, two hundred revolts occurred with the intention of breaking the feudal chains. All these concepts came into fruition after the Revolution of 1896 when U.S. colonial rule took over and introduced a distorted version of the ideas of enlightenment to consolidate their colonial rule by using concepts of democracy, republicanism as a facade and reactionary violence to crush the continuing resistance of the Filipino people.
What was the role and significance of the Revolution of 1896? After 365 years of Spanish colonialism and successive revolts, Filipinos finally decided to organize the Katipunan as a result of the martyrdom of Rizal on December 30, 1896. Rizal was accused of being the founder of the Katipunan, or Brotherhood of Revolutionaries. In the column of Ambeth Ocampo, “Reform and Revolution,” he explained that “the December 15, 1896 Manifesto was used against Rizal both by the Spaniards who condemned him to death for inspiring the revolution, and the pro-Bonifacio groups in our day, is not read in full. Rizal was not against the revolution but felt, rightly so, that it was premature.”
He continued that “Rizal is branded a mere ‘reformist’ because they have not read his letter to Ferdinand Blumentritt from Geneva on June 19,1887, his 26th birthday, that read in part: ‘I assure you that I have no desire to take part in conspiracies which seem to me very premature and risky. But if the government drives us to the brink, that is to say, when no other hope remains but seek our destruction in war, when the Filipinos would prefer to die rather than endure their misery any longer, then I will also become a partisan of violent means. The choice of peace or destruction is in the hands of Spain, because it is a clear fact, known to all that we are patient, excessively patient and peaceful, mild, unfeeling, etc. But everything ends in this life, there is nothing eternal in the world and that refers also to our patience.’”
Prior to this, Rizal was active in the reform movement abroad. He was a member of La Solidaridad, an organization founded in Spain on December 13, 1888, composed of Filipino liberals and students, aimed to increase Spanish awareness of the needs of its colony, the Philippines. Rizal was also a founder of La Liga Filipina (1892), a progressive organization in the homefront with the purpose of involving the people directly in the reform movement. Both initiatives were designed to be a machinery of the reform movement. The Spanish authorities, threatened by these initiatives, seized on Jose Rizal to punish him for his ideas. We know what happened next, Rizal was martyred and the armed revolt known as the Cry of Balintawak in August 1896 ensued under the leadership of Andres Bonifacio.

Rizal on Reform and Revolution (part 3 of 4)

by Levy Abad
What were the tendencies that arose out of Jose Rizal’s ideas? The reform movement that he led exposed the abuses committed during the Spanish colonial and feudal rule. Aside from writing novels, he was also a part of the publications La Solidaridad and La Liga Filipina. This clearly proved Rizal’s involvement in the reform movement. According to Chris Antonette Piedad-Pugay, in his work “Jose Rizal and the Revolution: Revisiting Renato Constantino’s ‘Veneration Without Understanding'”:
“Another example of Rizal’s reformism can be found in his manifesto where he emphasized the necessity of education in the achievement of liberties. He also believed that reforms, to be fruitful, must come from above; and that those that come from below are shaky, irregular, and uncertain. Rizal’s weakness was his failure to fully trust his people. His idea that change should come from above is the clearest proof that he is kind of detached from what is happening on the ground. He repudiated the revolution because he thought that reforms, to be successful, should come from above.”
Notwithstanding these weaknesses, the reform movement became the spark that started the prairie fire. The problem with freedom is that, once the people get a taste of it, it develops its own dynamics and grows beyond the control of the regime. It has a life of its own. So, when the call for revolt was made, the masses embraced it. If Rizal cautioned the members of the reform movement not to engage in armed revolt, ordinary people like Andres Bonifacio who bore the full weight of the feudal rule of Spain would have reacted in a different way, the revolutionary way. The more intense the experience of oppression, the more the revolutionary tendency intensifies. To substantiate this, I would like to quote from a book by Renato Constantino, entitled A Past Revisited, (page 159):
“At first, the Liga was quite active. Bonifacio, in particular, exerted great effort to organize chapters in various districts of Manila. A few months later, however, the Supreme Council of the Liga dissolved the Society. The reformist leaders found out that most of the popular councils which Bonifacio had organized were no longer willing to send funds to the Madrid propagandists (assimilationists) because they, like Bonifacio, had become convinced that peaceful agitation for reforms was futile. Afraid that the more radical rank and file members might capture the organization and be unwilling to involve themselves in an enterprise which would surely invite reprisals from the authorities, the leaders of the Liga opted for dissolution. The Liga membership split into two groups: the conservatives formed the Cuerpo de Compromisarios, which pledged continued support for La Solidaridad; while the radicals led by Bonifacio devoted themselves to a new and secret society, the Katipunan, which Bonifacio organized on the very day that Rizal was deported to Dapitan.”
It is impossible to go back in time and measure the sincerity of those who joined the revolution. Some authors claim that the reason Rizal distanced himself with the initiative was because of the insincerity of some leaders. Unarguably, revolution was able to drive out the Spaniards.
Purity of heart was good but immaterial. Oppression was what fueled the people to revolt. We must remember that even revolutionaries are human beings, and utopian measuring sticks are useless. Even saints are sinners. Too often, leaders and scholars try to put a framework that will determine when the revolution starts and when they think it should end. The reality is that the implication, effects, or the success and betrayal of the Revolution of 1896 can still be seen and felt up to now.
Reflecting on the writings of Renato Constantino, Rizal’s tendency was the natural offshoot of his status in society since he belonged to the Ilustrado (erudite, learned). The Ilustrados were people whom the Spanish colonial authorities trusted to be their administrators over vast tracts of land or encomiendas. Rizal’s family was well-off. This afforded Jose Rizal and many of his siblings good education, attending the best schools like Letran, UST, and Ateneo. In fact, his family was able to send him abroad to study. The tendency of this class of people was to be cautious and weary of social movements as they might cause instability. They tended to veer towards reformism because they had a lot to lose in the process, although there were a few who transcended their economic background and embraced the struggle of the people wholeheartedly. I would like to think that Jose Rizal was one of them. On the other hand, ordinary people like Andres Bonifacio joined the armed revolt to end their oppression because they got nothing to lose but their bondage.

Rizal on Reform and Revolution (part 4 of 4)

(Unpublished)

by Levy Abad

Bonifacio and other leaders of the Katipunan, together with ranks of the revolutionaries, belong to the left wing tendency of those who adhere to the ideas espoused by Rizal.  Upon closer look of the ideas of Jose Rizal, one will find that most of his thoughts on society were essentially heavily tainted by French revolutionary ideas but were also calibrated in such a way that they fit into a reformist frame.  We must remember that the French Revolution never happened overnight. It also underwent the same process of where people hoped that the regime could still be changed through peaceable  means (Reformism) until the  Jacobins (or in our case, the Revolutionaries of 1896)  decided to have enough of it when they realized that bondage can no longer be tolerated.  This was also exemplified during the Filipinos’ struggle against the dictatorship way back in the 70s. Though it took a shorter time compared to Rizal’s time, the contradictions intensified that culminated in the assassination of Benigno Aquino. His death unified of the opposition forces and became the catalyst that led to the Edsa Uprising.
Jose Rizal’s statement that he has no desire to take part in conspiracies, which seem to him “premature and risky,” is an expression of a disagreement over strategy and tactics of how to steer the revolution. Back in my university days, I always hear this premature and risky advice from reformist activists in the campus. Although they usually say that they agree with the revolutionary calls, when it comes to practice, they say it is not yet time. Perhaps, Rizal never liked the tactic used (as he portrayed it) by Simoun in El Filibusterismo of inciting violence and the insurrectionary / putchist’s persecution of the people to force them to revolt.Elmer Ordoňez in his article, Rizal and the Literatire of the Left, commented that the essays of Epifanio San Juan, one of the leading scholars in Rizal studies, “attempt to recuperate Rizal (appropriated by U.S. colonialism and Ilustrado collaborators in search of a national hero for their Filipino wards) from his perceived apostasy, the December 15 Manifesto, where he abjures the armed revolution.  San Juan recalls Recto’s “landmark synthesizing of both revolutionaries’ (Rizal and Bonifacio’s) ‘parallel lives” in 1958. For San Juan, Recto points to a “fatal and unbridgeable dualism which today, our wide-ranging endeavors to integrate history and practice are trying mightily to resolve. The question again arises as to who benefits from this dualism? What forces in Philippine society may have consciously fanned this dualism to their advantage? My view is that this dualism will last until a social movement that links reform and revolution triumphs and becomes the dominant narrative.
The root of the problem is the  persistent maneuver of the interest groups, such as US  colonialism to createa disconnect between reform and revolution and make it appear that Rizal is a pacifist  through and through, thus turning Rizal into a propaganda tool for social inertia in the face of colonial oppression. The right wing tendency is a clear result of this disconnect.  It is the tendency to absolutize reformism that in turn assures the continuation of the survival of the status quo.  
Grasping this reality of the revolutionary situation makes one arrive at the proper analysis of Philippine history and what is happening now. All the ills of Philippine society can be traced back to the outcome of the dialectics of the time of Jose Rizal.  The way our community thinks on how to achieve social change for our country of origin is also characterized by this tendency. Up to now, people pit Jose Rizal against Andres Bonifacio. They have missed the great lesson of the Revolution of 1896 that the two pillars of Philippine history are representative of a single historical process of the Filipino peoples’ aspiration for freedom. Hence, given all these lessons of history, only a social movement that is able to grasp the dialectics between Rizal and Bonifacio, reform and revolution, will be able to lead the Filipino out of its pre-industrial and agricultural state.