Friday, July 15, 2016

Finest love songs in Filipino

12:16 AM February 13th, 2016

Love is once again in the air and it’s beginning to fill the local airwaves as Feb. 14 approaches.
It is unfortunate though that you can hardly find a radio station, like the defunct NU107.5 and RJ105.9 UR, that plays some of the finest local love songs during Valentine’s Day.
So before we forget about our homegrown music, here are 14 of the most beautiful love songs in Filipino that are worth listening to this season of love.
1.    “Kapag Sinabi Ko Sa Iyo” (When I Say To You). Only a genius like Gary Granada can write such a wonderful love song that neither promises nor romanticizes.
2.    “Kun’ Di Man” (If not). One of the earliest compositions of Chikoy Pura, this serenade from The Jerks has earned a cult status in the Pinoy rock music scene for its catchy melody (and title).
3.    “Rosas ng Digma” (Roses of War). Written by Danny Fabella and a favorite among youth activists, the song is about a Red fighter who fell in love with his comrade.
4.    “Panata’t Pag-Ibig” (Pledge and Love). From “Lean: A Filipino Musical,” this Gary Granada song was performed by Chikoy Pura and Cooky Chua as the couple
Leandro “Lean” Alejandro and Lidy Nacpil.
5.            “Walang Hanggang Paalam” (A Goodbye Without End). This tearjerker by Joey Ayala was featured in the movies “Ang Bagong Buwan” and “Donsol.”
6.    “Laging Ikaw” (Always You). A splendid love song by the poet Jess Santiago that will definitely make you smile with its witty lyrics.
7.    “Sangandaan” (Crossroads). Pete Lacaba wrote this soundtrack, which was sung by Pat Castillo for Mike de Leon’s landmark film “Sister Stella L.”
8.    “Pag-Ibig Lang” (It’s Only Love). A perfect wedding song that tells how personal differences can become insignificant when it comes to love.
9.    “Dinamayan Mo Ako” (You Stood By Me). This heartwarming song from one of the country’s
pioneer reggae bands, Cocojam, is not reggae at all.
10.          “Himig Ng Pag-Ibig” (Song of Love). Lolita Carbon’s voice
will surely touch your soul in this classic Asin song.
11.          “Yun Lang” (Just That). Performed by Arthur Manuntag and Mike Villegas, the song is Pete
Lacaba’s translation of the timeless “That’s All.”
12.          “Pagdating Ng Bukas” (When Tomorrow Comes). This sentimental song by Labuyo from the “Manila Sound” era is a personal favorite.
13.  “Kanlungan.” The most popular in the list, this Buklod original was brilliantly written by Rom Dongeto.
14.  “Sana.” A poetic, patriotic love song from the progressive band MusikangBayan. Lyrics and music
     by Levy Abad Jr.
Let’s make good use of this romantic opportunity to rediscover and appreciate our own language.
—DANIEL ALOC,tierra.giya@yahoo.com

Read more http://opinion.inquirer.net/92820/finest-love-songs-in-filipino

Thursday, July 14, 2016

Songs that rekindle Pinoys’ nationalist, patriotic spirit
12:16 AM July 4th, 2016
The month of June 2016 saw a resurgence of Original Pilipino Music (OPM). Dozens of local acts gathered in different venues all over the metro for the annual “FĂȘte de la Musique.” Coincidentally, the music festival took place in the same month as the Philippine Independence Day celebration, which made me wonder if Filipinos nowadays still appreciate the music of patriotic artists like Heber Bartolome, Susan Fernandez and Jess Santiago.
And so to pay homage to Filipino progressive music, here are some great patriotic and protest songs to rekindle our nationalist spirit.
“Julian Makabayan”—a classic from the 1980s and 1990s that tells of the oppressed peasants’s struggle for land.
“Pinggan,” Pol Galang’s allegorical piece that describes the grossly unjust relationship between the United States and the Philippines.
“Pamantasan ng Puso,” a melodious folk rock song by Gary Granada that brilliantly distinguishes the highly successful, albeit self-serving, graduates from those who did not finish school because of financial constraints yet selflessly serve the poor.
“Lupa,” an evocative ballad by The Jerks from its live and debut album, which is about love of motherland and assertion of national sovereignty and independence.
“Tatsulok,” a popular Buklod song by Rom Dongeto, included in the “Karapatang Pantao” compilation album, that affirms that long-lasting peace is not possible without social justice.
“Wala nang Tao sa Sta. Filomena,” music icon Joey Ayala’s powerful and poignant song about a village that became a ghost town after being terrorized by anticommunist vigilantes.
“Di Pangkaraniwan,” Danny Fabella’s touching tribute to those who wholeheartedly serve the Filipino people.
“Alamat,” poet Eric Acosta’s thought-provoking song that demystifies all the myths about the country’s rampant poverty and hunger.
“Ang Kailangan Gawin,” an anticorruption song composed by Gary Granada and performed by Dong Abay.
“Republikang Basahan,” Teodoro Agoncillo’s poem about our bogus independence translated masterfully into music by professor Joel Costa Malabanan.
“Awit sa Bayani,” one of Levy Abad Jr.’s most moving songs, which depicts the painstaking sacrifices of the revolutionary heroes and martyrs.
“Bayan Ko,” Jose Corazon de Jesus’ antiimperialist poem used as a popular protest song since the 1920s, which nationalist historian Renato
Constantino referred to as our “alternate national anthem” because of its continuing relevance. Interestingly, Koyang Jess Santiago’s version of the song was featured in the end credits of Lino Brocka’s classic film “Bayan Ko: Kapit Sa Patalim.”
Like everything else in this world, Filipino music will continue to evolve. In any case, we should never lose interest in our local progressive music —music that does not sugarcoat the harsh realities in our society and reflects the struggles of the people for genuine freedom and change.
—DANIEL ALOC, tierra.giya@yahoo.com
Read more: http://opinion.inquirer.net/95485/songs-rekindle-pinoys-nationalist-patriotic-spirit#ixzz4ERUPWxwE

Follow us: @inquirerdotnet on Twitter | inquirerdotnet on Facebook
Songs that rekindle Pinoys’ nationalist, patriotic spirit
12:16 AM July 4th, 2016
The month of June 2016 saw a resurgence of Original Pilipino Music (OPM). Dozens of local acts gathered in different venues all over the metro for the annual “FĂȘte de la Musique.” Coincidentally, the music festival took place in the same month as the Philippine Independence Day celebration, which made me wonder if Filipinos nowadays still appreciate the music of patriotic artists like Heber Bartolome, Susan Fernandez and Jess Santiago.
And so to pay homage to Filipino progressive music, here are some great patriotic and protest songs to rekindle our nationalist spirit.
“Julian Makabayan”—a classic from the 1980s and 1990s that tells of the oppressed peasants’s struggle for land.
“Pinggan,” Pol Galang’s allegorical piece that describes the grossly unjust relationship between the United States and the Philippines.
“Pamantasan ng Puso,” a melodious folk rock song by Gary Granada that brilliantly distinguishes the highly successful, albeit self-serving, graduates from those who did not finish school because of financial constraints yet selflessly serve the poor.
“Lupa,” an evocative ballad by The Jerks from its live and debut album, which is about love of motherland and assertion of national sovereignty and independence.
“Tatsulok,” a popular Buklod song by Rom Dongeto, included in the “Karapatang Pantao” compilation album, that affirms that long-lasting peace is not possible without social justice.
“Wala nang Tao sa Sta. Filomena,” music icon Joey Ayala’s powerful and poignant song about a village that became a ghost town after being terrorized by anticommunist vigilantes.
“Di Pangkaraniwan,” Danny Fabella’s touching tribute to those who wholeheartedly serve the Filipino people.
“Alamat,” poet Eric Acosta’s thought-provoking song that demystifies all the myths about the country’s rampant poverty and hunger.
“Ang Kailangan Gawin,” an anticorruption song composed by Gary Granada and performed by Dong Abay.
“Republikang Basahan,” Teodoro Agoncillo’s poem about our bogus independence translated masterfully into music by professor Joel Costa Malabanan.
“Awit sa Bayani,” one of Levy Abad Jr.’s most moving songs, which depicts the painstaking sacrifices of the revolutionary heroes and martyrs.
“Bayan Ko,” Jose Corazon de Jesus’ antiimperialist poem used as a popular protest song since the 1920s, which nationalist historian Renato
Constantino referred to as our “alternate national anthem” because of its continuing relevance. Interestingly, Koyang Jess Santiago’s version of the song was featured in the end credits of Lino Brocka’s classic film “Bayan Ko: Kapit Sa Patalim.”
Like everything else in this world, Filipino music will continue to evolve. In any case, we should never lose interest in our local progressive music —music that does not sugarcoat the harsh realities in our society and reflects the struggles of the people for genuine freedom and change.
—DANIEL ALOC, tierra.giya@yahoo.com
Read more: http://opinion.inquirer.net/95485/songs-rekindle-pinoys-nationalist-patriotic-spirit#ixzz4ERUPWxwE

Follow us: @inquirerdotnet on Twitter | inquirerdotnet on Facebook
Songs that rekindle Pinoys’ nationalist, patriotic spirit
12:16 AM July 4th, 2016
The month of June 2016 saw a resurgence of Original Pilipino Music (OPM). Dozens of local acts gathered in different venues all over the metro for the annual “FĂȘte de la Musique.” Coincidentally, the music festival took place in the same month as the Philippine Independence Day celebration, which made me wonder if Filipinos nowadays still appreciate the music of patriotic artists like Heber Bartolome, Susan Fernandez and Jess Santiago.
And so to pay homage to Filipino progressive music, here are some great patriotic and protest songs to rekindle our nationalist spirit.
“Julian Makabayan”—a classic from the 1980s and 1990s that tells of the oppressed peasants’s struggle for land.
“Pinggan,” Pol Galang’s allegorical piece that describes the grossly unjust relationship between the United States and the Philippines.
“Pamantasan ng Puso,” a melodious folk rock song by Gary Granada that brilliantly distinguishes the highly successful, albeit self-serving, graduates from those who did not finish school because of financial constraints yet selflessly serve the poor.
“Lupa,” an evocative ballad by The Jerks from its live and debut album, which is about love of motherland and assertion of national sovereignty and independence.
“Tatsulok,” a popular Buklod song by Rom Dongeto, included in the “Karapatang Pantao” compilation album, that affirms that long-lasting peace is not possible without social justice.
“Wala nang Tao sa Sta. Filomena,” music icon Joey Ayala’s powerful and poignant song about a village that became a ghost town after being terrorized by anticommunist vigilantes.
“Di Pangkaraniwan,” Danny Fabella’s touching tribute to those who wholeheartedly serve the Filipino people.
“Alamat,” poet Eric Acosta’s thought-provoking song that demystifies all the myths about the country’s rampant poverty and hunger.
“Ang Kailangan Gawin,” an anticorruption song composed by Gary Granada and performed by Dong Abay.
“Republikang Basahan,” Teodoro Agoncillo’s poem about our bogus independence translated masterfully into music by professor Joel Costa Malabanan.
“Awit sa Bayani,” one of Levy Abad Jr.’s most moving songs, which depicts the painstaking sacrifices of the revolutionary heroes and martyrs.
“Bayan Ko,” Jose Corazon de Jesus’ antiimperialist poem used as a popular protest song since the 1920s, which nationalist historian Renato
Constantino referred to as our “alternate national anthem” because of its continuing relevance. Interestingly, Koyang Jess Santiago’s version of the song was featured in the end credits of Lino Brocka’s classic film “Bayan Ko: Kapit Sa Patalim.”
Like everything else in this world, Filipino music will continue to evolve. In any case, we should never lose interest in our local progressive music —music that does not sugarcoat the harsh realities in our society and reflects the struggles of the people for genuine freedom and change.
—DANIEL ALOC, tierra.giya@yahoo.com
Read more: http://opinion.inquirer.net/95485/songs-rekindle-pinoys-nationalist-patriotic-spirit#ixzz4ERUPWxwE

Follow us: @inquirerdotnet on Twitter | inquirerdotnet on Facebook

Wednesday, July 13, 2016

Winnipeg Multicultural Human Rights Forum
June 20, 2016
Levy Abad
Published in Diversity Times
July 2016, Vol.5 No, 7

Back in the mid-2013, I remember meeting some of my friends in the community like Simon Baer and Mario Fuentes, a political prisoner in El Salvador in June 1988 during Napoleon Duarte’s regime. They are members of the Winnipeg Multicultural Human Rights Forum of which I serve as a Program Coordinator.  I vividly recall in one of our meetings, Simon and Mario asked me about the relevance of organizing the Human Rights Forum  when we already have the Canadian Museum for Human Rights in Winnipeg, which was about to open  in September  2014.  I explained that even if we have the museum, it is still important to organize a grassroots group to help empower small communities. I added that if there is an institutional human rights, there should also be grassroots human rights like the Multicultural Human Rights Forum to support the view from the ground. This way, the minorities in a given community are assured of a venue to express themselves and have a voice if the institution becomes beholden and fettered by interest. During that time, the museum was a controversial issue since most people perceived it as serving the status quo.  We are not sure if it will not be captured by the powerful in the community and eventually be used as a tool by powerful interest groups.

In 2012, I met Bro. Ali Saeed of the Solidarity Committee for Ethiopian Political Prisoners (SOCEPP). He was preparing for their event, the annual “Night of the Disappeared.” I was working as the Executive Assistant of then Minister of Culture, Heritage and Tourism Flor Marcelino. Brother Ali proposed a meeting where we discussed about organizing the Night of the Disappeared. I suggested to Brother Ali that it would be better if we involve other communities on this important issue.  I volunteered to invite friends and arrange a meeting.


 The first few meetings were attended by the following individuals, Raimund Bukovich, Jaime  Carrasco, Michael  Pajemolin,  Diwa Marcelino, Pablo Herrera, Simon Baer, Mario Fuentes, Susan Rodriguez, Maree Rodriguez, Vanessa Harari,  Eric Wilson,  Clifton Starr, Ayni Omar,  Rosa Gonzales, Lucia Madariaga- Vignudo,  Edwin  San Jose, Pedro Fontanilla and of course, Ali Saeed.  Kathi Neal of the Manitoba Human Rights Commission also graced the event.

We decided to call the group tentatively as the Winnipeg Multicultural Human Rights Forum (WMHRF) and this was immediately followed by educational events on human rights, including a forum called “Where are they now? A Human Rights Forum on the Disappeared,” that was held at the Convocation Hall of the University of Winnipeg on September 9, 2013. In this event, we invited panelists to talk on the human rights situation in their respective countries:  Ali Saeed for Ethiopia, Lucia Madariga-Vignudo for Argentina, William Vivas for Nicaragua, Hugo Torres Cereceda for Chile and me for the human rights situation in the Philippines. We also had cultural performances where Hugo Torres Cereceda and I sang a couple of socially relevant songs. The event was a success. We had a great turn-out.

The forum was followed by the “Night of the Disappeared of 2013,” held at the West End Cultural Centre. Each member actively helped in gathering people for the event.  The following year, we organized another forum, which was held at Young United Church titled, “Global Mining and Indigenous Rights,” where we invited speakers like Jaime Carrasco who discussed the situation in Chile and the surrounding countries, Helal Mohiuddin of the Bangladesh community and Leah Gazan, President of the Social Planning Council who shared her views on mining and its impact on Indigenous communities. The Winnipeg Multicultural Human Rights Forum played a significant role in the Night of the Disappeared 2014. The group was able to raise money for the Missing and Murdered Indigenous Women.


This year, we are organizing another event titled, “Migrant Solidarity Night with Refugees,” to be held at Broadway Disciples United Church (Broadway /Kennedy) on the 25th of June. This is a fundraising event for refugees. There will be solidarity messages, poems and songs coming from representatives of the different communities.  Organizations like the Chilean Human Rights Council, Migrante-Manitoba, SOCCEPP, Mining Justice Network Winnipeg/ United for Mining Justice, Canadian Palestinian Association of Manitoba, Solidarity Winnipeg and friends like Ruby Syed and Mildred Caldo of Workers United will be on hand to support this event. 


These are some of the highlights of the Winnipeg Multicultural Human Rights Forum’s short but significant history. To date, we are still an informal organization, but we are working on the group’s registration this year.  Many thanks to the steadfast members and supporters who consistently help out in organizing forums, human rights education programs and mobilization. Long Live Grassroots Human Rights!

Monday, July 4, 2016

The Philippine Support Group (PSG)
and the Anti-Dictatorship Movement in Winnipeg (1983 -1996)
Part 2
Levy Abad (April 24, 2016)

The task of a writer is to preserve the struggles of the past to shed light to the path that future generations will take.  Without this, we will have historical orphans who never know where they came from and thus, would be lost in their journey ahead. They will be a generation devoid of identity and easily duped into puppetry.  The struggle for freedom is the road where theories of empowerment and cultural identity are tested.

“In 1991, the Philippine Support Group or PSG, an activist organization in Winnipeg, founded in 1983 and whose aim is to help in the struggle against the Marcos Dictatorship, hosted the visit of the Congress for Agrarian Reform (CPAR). CPAR is a coalition of progressive NGOs from the Philippines whose main goal was to lobby for a genuine agrarian reform. The event was sponsored by the Aboriginal Cultural Centre and the Original Women’s Network“(Brief Historical Background of PSG).

“Since 1991- 1996, the organization had sponsored numerous educational development activities, which include film showing, forums on human rights, women’s rights, agrarian reform, urban poor, students and out of school youth, militarization, repression of indigenous people’s “(Brief Historical Background of PSG). “These activities had provided PSG with opportunity to with allies and other cause oriented organizations such as IDEA Centre, Ten Days For World Development, Anglican Church, United Church, MCIC, Phil Canada Human Resource Development-CIDA, Manitoba Eco Network, University of Manitoba- International Centre for Students, Aboriginal Cultural Centre, Original Women’s Network, Workers of Colour Support Network, etc“(Brief Historical Background of PSG). “PSG was also involved in numerous, relief and rehabilitation fund raising projects for victims of natural calamities and disasters in the Philippines“(Brief Historical Background of PSG).

In 1992, PSG hosted the conference on the ongoing peace process in the Philippines titled "After Two Decades Of War ..CAMPAIGN FOR A JUST AND LASTING PEACE IN THE PHILIPPINES" and in 1993, it also assisted in organizing and joining force with the Filipino Community in an Anti-Racism Rally /demonstration in front of the Superstore at McPhillips Street (1993, Spring of Resistance- The Struggle Against RACISM , Published in Ang Peryodiko, February 1-15, 2016 ). In this campaign, more or less, one thousand five hundred Filipinos and folks from different communities joined. Fred De Villa became the group`s spokesperson at that time.  PSG helped in the formation of the Filipino Coalition for Human Rights  (FilCOHR) in 1993,  whose leading officers were  Conrado “Popoy”  Gomez, Chair, and two more from the PSG as  Vice Chair and  Secretary /Treasurer (Draft History of Winnipeg Filipino Activist: L. Abad). These officers were elected in the thick of the campaign where about 200 people voted. It was also instrumental in the founding and establishment of the newspapers, Philippine Connection under Conrado “Popoy” Gomez, and later, Philippine Times, a Filipino community newspaper with progressive orientation.“ Orli Marcelino recalls that the first issue was finally released on April 1996.

 Riki Esguerra, a UP Professor and a victim of torture during the Dictatorship, mentions in one of his email that between 1993 and 1994, he visited Winnipeg as a speaker in the event, Ten (10) days for World Development organized by the Church. He remembers that, more or less 40, youth attended the event at St. Stephens United Church in Broadway. He added that he gave a simple short course on Philippine History and Fundamental Change.  Some of the youth who attended this forum eventually became active with Phil–Canada Human Resource Development or PCHRD. This is one of the two mechanisms of CIDA to respond to the crisis that the Aquino Regime inherited from the Dictatorship.

 Aside from campaigns against the dictatorship like education forums on Philippine History, struggle and issues, PSG also engaged in local social advocacy such as supporting campaign against the Maria Clara Beauty Pageant in 1994. This campaign was organized by women youth from the university, “objecting to the modelling of the Filipina in the image of Maria Clara, a submissive woman who was not involved in society or social issues” (email of Ted Alcuitas, January 1, 2016, 12:42 a.m.). PSG also did casework by helping newly arrived immigrants. The PSG was involved in campaigns focused on the consulate as a representative of the dictatorship. This was during the time of Consul Leovegildo Anolin who was eventually transferred.  I remember another activist priest, the late Rev. Fr. Greg Sevillo, poet and author, who told me that the consulate monitored activists during the time of President Marcos.  Rev Fr. Sevillo added that those where scary times.

 On Sunday March 4, 1984, Bishop Francisco F. Claver, SJ visited Winnipeg as part of his country tour on the invitation of the Canadian Catholic Organization for Development and Peace (email of Alcuitas, January 1, 2016, 12:42 a.m.) He discussed the situation in the old country and how the Basic Christian Communities organized by the church were being harassed. These communities were justice and peace based communities inspired by the social teachings of the Catholic Church. In this event he said, “Yes to revolution but no to violence” (Ted Alcuitas, New Silangan 1984), making clear his position on the dictatorship.   According to Orlando Marcelino who was an activist himself and who escaped the clutches of the dictatorship due to the dismal political situation in the old country,  the event was held at St. Edward`s Church and was well attended.  Ceasar and Eliza Tuazon Castro mentioned that, “his visit (Bishop Claver) with us in Winnipeg was all about telling the people how concerned and against he was to preach to the grassroots against Martial Law“(Remembering the Life and Works of Bishop Emeritus Francisco Claver).

In part one of the article, I have laid down the context of the growth of the Philippine Support Group as an activist organization supporting the struggle for the restoration of democracy in the Philippines. Part two further substantiates by adding some events that were organized by and in cooperation with organizations and individuals concerned with the old country. I am not able to mention some of the leaders in the article since they still suffer from the trauma of the period. One of the lead organizers of PSG told me that a lot of documents were lost through the years and he can only give me some information to provide an overview of the process of building up the movement.


Friday, July 1, 2016

Paalam Ka Doris (Goodbye Comrade Doris )






Paalam Ka Doris (Goodbye Comrade Doris )
July 1,2016

A comrade, a friend, relayed  news of you passing.
I paused for a moment to remember the years
Of intense struggles for freedom and justice
In the towns along the Sierra Madre range.

As I reckon those days, I admired you in silence.
I pale compared  to your courage and strength.
You never refused any dangerous calling
When our  people's  rights need to be addressed.

I remember the marches and the perils you faced
When the fascist were shooting comrades with glee.
In the midst of terror and the silence engendered
You thundered like a prophet in the square when you speak.

Your life cut short by the illness you suffered
But you are the golden rays of sunrise for me.
And like a star I gaze at you from a far away land
As you whispered that the struggle must ever go on.

Forgive me if I cannot sing at your wake
Songs of compassion in the midst of the struggle.
Please accept this poem and my tears in your rest.
A salute to a comrade and embrace from a friend.

Doris Cuario is the Secretary General of Karapatan -Southern Tagalog,
a regional human rights organization in the south of Luzon in the Philippines.
Back when she was the Sec Gen for Karapatan - Laguna  (Province) and in the midst
of repression in the years 2000 to 2004 , she use to jokingly tease me to write
her a song if she is martyred. I remember her as a sincere  comrade in the 
struggle for human rights.  Paalam (Goodbye ) Ka. Doris .


Caraga


Updated: June 19, 2016, 9:00 AM
A poem tribute to the town of Caraga,Davao Oriental

CARAGA

By: Levy Abad -Winnipeg, Manitoba

Caraga, how can I forget you?
You are the source of my strength
You gave birth to my ancestors
You taught me to be stubborn
You taught me to be tough yet gentle
I shed tears when I remember you and my forebears
I cannot even light a candle on the grave of my grandparents, 
uncles, unties, cousins
How can I forget you?
When forgetting you is like a curse to my soul
Your rivers Caraga and Manorigao taught me how to swim
Your streams in Tigbawan quench my thirst
You trained me not to leave my food or drinks unattended
Trained me to be watchful and always care for family, 
relatives and friends
No matter how far I wander in this world my Kamayo, 
Mandaya Princess ancestor cry out “Kin-u kaw uli?”
My soul pleads, "Kisuom Umpo Inay, Kisuom!"
“
How can I forget you?
How many tribes perished just to bring me to this space in time?
I can sense Bagani spirits clearing my paths 
and teaching me to be compassionate and just
You have whispered poems, melodies and songs in my dreams
I always remember you and pray that you are at peace
You are my light .
 Published : Philippine Canadian News.com