Lolita Carbon: Ang Pagbabalik
Levy Abad
What a great performance rendered by the Filipino
Folk Rock legend Lolita Carbon of the group Asin (Salt of the Earth) at the
Pampanga Restaurant Banquet Hall on October 14, 2016. Hundreds of members of
the Filipino community came to enjoy and have fun listening and singing their favourite
songs with Lolita and her group of great sessionists like Raffy Ramiro on lead
guitar and saxophone, Bernie Carlos (2nd lead), Jhayzon Paredes
(bass) and one of the organizers, and Rod Dizon (drums). John Baptiste
(violinist), who is a buddy of my friend, Manny Araullo, another folksinger,
also sessioned in the song Himig ng Pag ibig. Not to be outdone, the front acts
composed of Jerylyn Bulaong, Shery-lyn Padua, Paul Kevin Ong, Fuzzmado and
Fhamathou, also did a good job in their performances.
As of this writing, there will be another gig on
October 16th at the Canton Buffet Restaurant (1111 Logan Avenue) where hundreds
of people are expected to attend and watch Lolita Carbon rock the place with
her great songs. So guys see you there!
Courtesy of Anthony Lapuz Photography |
Coming home tired from work, I rushed to watch some live streaming (Jhayzon Paredes and
Rodge Lopez) last night to watch Lolita sing some of the classic hits of Asin
like Himig ng Pag Ibig (Song of Love), Masdan Mo Ang Kapaligiran (Look at the Environment), Usok (Smoke), Pagbabalik /Bayan Ko (Coming Home), Biyaheng Langit (Journey to Heaven), Ang Buhay Ko (My Life ), Cebuanong
Dako and Gising na Kaibigan Ko (Wake up my Friend), to name a few. When I met Lolita at La Merage, I asked her
how many times she performed here in Winnipeg and what were the songs that she
wrote? She said three times, 2005 (organized by Roland Bertumen ), 2009 and
2016 and then she enumerated the following songs: Pagbabalik, Himig ng Pag Ibig,
Usok and Ganyan Lang, Kahapon at Pag
ibig. These are some of the songs
that take me back to the early 80s when I was trying to learn how to strum the
guitar and play their greatest hit Masdan
Mo Ang Kapaligiran, a song that calls for the protection of the environment
in the midst of neo-colonial, semi-feudal plunder during the time of the
dictatorship. Fortunately, the Rodrigo Duterte presidency ushered in some changes.
I recall songs like Magnanakaw (Robber),
which was considered subversive back in the days as it implies bureaucratic corruption
of the puppets of the dictatorship or the song Tuldok (People are mere dots and so should always be humble ),
which evokes myriad of meaning against the arrogance of the powers that be.
Going back to my surprise meeting with Lolita at La Merage Restaurant on the chilly morning of October 11th, where I hang- out with members of the Breakfast Club, Lolita was with Kuya Bernie (“The Chief” as Lolita fondly refers to him) and Alma Carlos (promoter of the concert), Raffy Ramiro (sessionist par excellance from BC and owner of R’s Bar), and Ardie Gervacio, a friend and concert organizer and Kuya Frank Rano (producer). I met Ate Lolit and some friends again at La Merage on October 13th. Out of curiosity, I asked Lolita why she calls Bernie, the Chief. She explained that they were contemporaries and that Bernie was a pioneer Rock Star of the Filipino-Canadian diaspora from the late 70s up to the mid 80s. He was a member of the heavy metal group called Sye Band that produced a couple of great albums back in the days.
Going back to my surprise meeting with Lolita at La Merage Restaurant on the chilly morning of October 11th, where I hang- out with members of the Breakfast Club, Lolita was with Kuya Bernie (“The Chief” as Lolita fondly refers to him) and Alma Carlos (promoter of the concert), Raffy Ramiro (sessionist par excellance from BC and owner of R’s Bar), and Ardie Gervacio, a friend and concert organizer and Kuya Frank Rano (producer). I met Ate Lolit and some friends again at La Merage on October 13th. Out of curiosity, I asked Lolita why she calls Bernie, the Chief. She explained that they were contemporaries and that Bernie was a pioneer Rock Star of the Filipino-Canadian diaspora from the late 70s up to the mid 80s. He was a member of the heavy metal group called Sye Band that produced a couple of great albums back in the days.
I had the chance of driving Raffy Ramiro and Kuya
Bernie Carlos to Long and McQuade to buy guitar strings. Kuya Bernie even gave
me me a set of Martin Strings as a treat. Our next stop was Virgin Mobile booth
at Polo Park for Raffy’s phone upgrade. While driving, we talked about how
people meet in mysterious ways and other stuff that only artists dig. Traversing Wall St. I recall
my Mississauga days when I performed as a front act in a couple of events
with Lolita and The Boys, Kaye Viray, Ananias "Boy" Militar,
and Boboy Doromal ( sessionists). I can’t help but feel amazed for having
that chance of performing with Lolita Carbon, Mike Hanopol and Banyuhay ni
Heber in Ontario. They represent the historical groups that stirred the people’s soul to
resist the dictatorship. Back in the 80s whenever they sing, people would
always find a chance to raise their clenched fist as a show of defiance. Sure, Lolita sings a variety of songs, but
thru the years, back in my student activist days until now, her involvement
with cultural activism has not wavered. When I mentioned to Lolita during our
meeting that our group is having a Just Peace event on the 22nd of October (49
Euclid), she immediately replied, ”That’s
good, the struggle for peace is good and must go on.”
When Saro Banares, a lead member and main songwriter of Asin was shot in the 1993, I
wrote a song titled, Awit Sa Bayani. I was overwhelmed by the
news of his tragic death that I finished writing the song in a matter of
minutes. In the chorus of that song, I wrote,”Marami pang dapat imulat kasama, Lipuna’y puno ng problema, Sa paghinto
ng tibok ng puso mo, Kami ang magpapatuloy.” Eventually, Awit sa Bayani (available on YouTube) was used as a tribute for Ka
Crispin Beltran, one of the great leaders produced by the Philippine working class
movement better known as Kilusang Mo Uno (May First Movement). I also remember
Leo Valdez, a leader of Bayan Laguna, a patriotic organization, who is
also a friend telling me that Pendong Aban, one of the members of Asin, was his
childhood buddy. These coincidences or call it happenstance leave me
wondering all the time. I never thought that one day I will meet them and be
friends with them, people who influenced me to play the guitar and write songs
about society and revolution.
Their inspiration ignited something in my young soul, 35 years ago, to follow their path and be a part of a cultural movement, singing people’s music and songs, both when I was still in the old country and in the diaspora. The seeds that they sowed in my heart led me to producing four albums of socially critical pieces. These albums do not include the songs that I wrote in the Philippines as part of Tambisan sa Sining (Interaction in Arts), a workers’ cultural group and later Musikang Bayan (People’s Music), like Awit ng Pag-asa (Song of Hope) and Sana (My Wish) and many more. Here in Canada, I opted to produce an album with songs that touch the heart of migrants like Na-shock Ako (I was Shocked), Para kay Ellen, Jocelyn, Sol and Juana (Story of abused Live-in Caregivers) Canadian Experience and Dito sa Winnipeg (Here in Winnipeg).
At the August 14, 2009 Mississauga concert, dubbed as Papuring Awit at Musikahan, held at the World Vision Centre, where Lolita performed, you can feel the excitement of the crowd when she sang all the hit songs of Asin. Almost everybody was singing along with her, especially when she performed Himig ng Pag-ibig and Bayan Ko with lines like “Bayan ko nahan ka? Ako ngayo’y nag-iisa. Nais kong magbalik sa iyo Bayan Ko. Patawarin mo ako, kung ako’y nagkamali sa landas na aking tinahak.” What a heartwarming performance!
When Saro Banares, a lead member and main songwriter of Asin was shot in the 1993, I
Me with Lolita Carbon , Willy Fernandez and Alma Canto |
Their inspiration ignited something in my young soul, 35 years ago, to follow their path and be a part of a cultural movement, singing people’s music and songs, both when I was still in the old country and in the diaspora. The seeds that they sowed in my heart led me to producing four albums of socially critical pieces. These albums do not include the songs that I wrote in the Philippines as part of Tambisan sa Sining (Interaction in Arts), a workers’ cultural group and later Musikang Bayan (People’s Music), like Awit ng Pag-asa (Song of Hope) and Sana (My Wish) and many more. Here in Canada, I opted to produce an album with songs that touch the heart of migrants like Na-shock Ako (I was Shocked), Para kay Ellen, Jocelyn, Sol and Juana (Story of abused Live-in Caregivers) Canadian Experience and Dito sa Winnipeg (Here in Winnipeg).
At the August 14, 2009 Mississauga concert, dubbed as Papuring Awit at Musikahan, held at the World Vision Centre, where Lolita performed, you can feel the excitement of the crowd when she sang all the hit songs of Asin. Almost everybody was singing along with her, especially when she performed Himig ng Pag-ibig and Bayan Ko with lines like “Bayan ko nahan ka? Ako ngayo’y nag-iisa. Nais kong magbalik sa iyo Bayan Ko. Patawarin mo ako, kung ako’y nagkamali sa landas na aking tinahak.” What a heartwarming performance!
Allan Cabato Photo |
Having known Lolita Carbon, I can say that she is
a humble and down to earth artist worth emulating. She easily blends in with any
crowd and shows them warmth, as if she already knows them for a long time, But
the most important thing about her is commitment and consistency of singing
socially relevant songs through the years.
Ate (older sister) Lolit, thanks for serving our
people through the years by sowing the seeds of hope, love and the struggle for
a just peace through songs, whether in the motherland or in our diaspora. Mabuhay Ka! (Long Live!)
Hi Sir Levy, is there any way i can get to Ms. Lolita Carbon? I need to ask her a few questions about her song "Kahapon at Pagibig". THank you so much.
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